by Rik Roberts (www.SchoolOfLaughs.com) Are you in the middle of nowhere? Are you miles from a city with a comedy night, let alone a comedy club? Do you want to start putting shows together to get some stage time? You are not alone, even though you may feel isolated. Joshua, a podcast listener from Iowa,…
Have you ever wondered how to get into writing comedy for TV, Radio or other comedians? Comedy writer Scott Dunn has written for such television shows as Foxworthy’s Big Night Out, The CMT Music Awards, The Larry “The Cable Guy” Christmas Special, Are You Smarter Than a Fifth Grader, and The Dove Awards. Scott is…
Defining your goals is extremely important in any self-driven profession. In stand-up comedy, defining your comedy goals will set you apart from a large mass of aimless souls. Goals in and of themselves won’t make you funnier than anyone else. But they should make you funnier than you are now if you set them correctly. Without…
How often should I be working in new comedy material on stage? by Rik Roberts (www.SchoolOfLaughs.com) This is a GREAT question that I received twice last week. It came from both an established feature act, and a brand new aspiring comedian. As you might expect, there is no “one size fits all” answer. Some will…
Do you struggle with memorizing your jokes? Have you ever had problems with your voice during a show? What are the pros and cons of using props or musical instruments on stage? In this “after-school special” recorded with students from the writing class in Nashville, we discuss several techniques to help you tie your jokes together.…
by Rik Roberts | www.SchoolOfLaughs.com It is extremely exciting to get on stage your first time. Your nerves are rattling. Your senses heighten. The unknown lies ahead. You take the mic … and hear the laughs. The wonderful laughs of a room full of strangers agreeing with what you find funny. It feels validating. Even more, it’s…
Last week we identified a few questions to ask yourself before you think about pursuing the corporate comedy market. Including, Can I be dependable, professional and flexible? Can I put the needs of the client ahead of my desires for a laugh? Am I willing to dress sharp? Do I have a show that is not…
Comedian John Garrett had enough with his day job and saw an opportunity to pursue comedy full time. So, he took a few legal pads from the supply closet and started performing in NYC. Since his arrival, he’s sharpened his wit, broadened his options and become one exceptionally funny guy. Check out this episode! We talk about:…
So you’ve been in the comedy clubs for a while. But, you keep hearing about all the good money comics can make when they book a “corporate” gig. Pursuing the corporate comedy market is worthwhile. Being fed steak, treated professionally, and getting paid as much for one show as you do for a whole week…
This comedy campfire style episode was recorded after a live stand-up comedy class in Nashville, comedy students ask great questions including: Where do you find up and coming comedians on the web? How do I come up with a stage name? What do you do when you have a “down day” to get into…